1. NEUROPHYSIOLOGICAL SCULPTURE (Rebound Core / Free Shaper)
Statement: Sculpture operates as a system of controlled instability that directly engages the body. This paradigm redefines sculpture as an existential experience situated beyond the visual realm. The sculpture acts as an active system that induces movement, instability, and direct bodily reaction. Two female bodies function as vectors of confrontation on a dynamic, unstable surface, in a simultaneous process of expulsion and stabilization. The interaction generates a battlefield-like field, in which raw and unpredictable muscular reactions are converted into a constructive aesthetic gesture. The performance emerges as an emergent effect of the system. Sculpture sculpts the being.
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2. TRANSCENDENT CYBERMATERIALISM
Statement: Transcendent Cybermaterialism defines a material regime in which thought does not generate representations, but manifests directly as a stratified bodily structure, in which matter is reborn in the flesh of thought. This materiality appears as a continuum between drawing, painting, volume, and moving image. The illusory chromatic drawing on transparent resins produces organic volumetric forms, and the layered painting settles epidermally over a drawing structure, generating a unified pictosculpture. Film does not function as a medium of representation, but as a medium from which forms emerge that become palpable sculptural extensions in space. These extensions are supported by a collage of frames, in which various classical styles are brought together in a framing concept that becomes a constitutive part of the work, and by an original soundtrack that maintains the ensemble's bodily coherence. Cyber is self-regulation, not technology. Matter is reborn in the flesh of thought. The film generates palpable sculptural extensions.
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3. CYBERRENNESANCE
Statement: Form dissolves into the network, and the sculpture becomes an operational matrix in which each element can generate meaning. Neuronorizomatic organization transforms the work into an emergent system, in which the author no longer merely constructs forms, but configures the conditions for their emergence. This paradigm marks the moment when technology becomes necessary, not as an external tool, but as an extension of a structure already existing at the conceptual level. The structures remain open, adaptable, and generative.
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PARADIGMS
1. NEUROPHYSIOLOGICAL SCULPTURE (Rebound Core / Free Shaper)
Statement: Sculpture operates as a system of controlled instability that directly engages the body. This paradigm redefines sculpture as an existential experience situated beyond the visual realm. The sculpture acts as an active system that induces movement, instability, and direct bodily reaction. Two female bodies function as vectors of confrontation on a dynamic, unstable surface, in a simultaneous process of expulsion and stabilization. The interaction generates a battlefield-like field, in which raw and unpredictable muscular reactions are converted into a constructive aesthetic gesture. The performance emerges as an emergent effect of the system. Sculpture sculpts the being.
2. TRANSCENDENT CYBERMATERIALISM
Statement: Transcendent Cybermaterialism defines a material regime in which thought does not generate representations, but manifests directly as a stratified bodily structure, in which matter is reborn in the flesh of thought. This materiality appears as a continuum between drawing, painting, volume, and moving image. The illusory chromatic drawing on transparent resins produces organic volumetric forms, and the layered painting settles epidermally over a drawing structure, generating a unified pictosculpture. Film does not function as a medium of representation, but as a medium from which forms emerge that become palpable sculptural extensions in space. These extensions are supported by a collage of frames, in which various classical styles are brought together in a framing concept that becomes a constitutive part of the work, and by an original soundtrack that maintains the ensemble's bodily coherence. Cyber is self-regulation, not technology. Matter is reborn in the flesh of thought. The film generates palpable sculptural extensions.
3. CYBERRENNESANCE
Statement: Form dissolves into the network, and the sculpture becomes an operational matrix in which each element can generate meaning. Neuronorizomatic organization transforms the work into an emergent system, in which the author no longer merely constructs forms, but configures the conditions for their emergence. This paradigm marks the moment when technology becomes necessary, not as an external tool, but as an extension of a structure already existing at the conceptual level. The structures remain open, adaptable, and generative.