Armani Hotel Burj Khalifa – Neurophysiologic Opera of Shaping

Both volumes, in this series, body and object, actively work together to recover and retrieve a point of stability, and thus, through a surprising state, the impersonal object becomes the body’s shaper, which induces the latter’s movement. During this interaction of shaping through induction, the sculptural object does not only remain an always active SHAPER of the body’s gesture (the organic form), but acquires the role of the generator of a speculative aesthetic, kinetics of a meta artctual complexity, adhering to the utmost abstract vein of plastic perception.